Hanuman Ansh! Hanuman Ansh! Hanuman Ansh! These words kept appearing on my social-media feed, and my curiosity was instantly aroused. What exactly was Hanuman Ansh? I searched and discovered that it was a newly released film based on the life of the revered saint Shri Neem Karoli Baba. Initially, the film struggled at the box office and did not make profits, but from the third week onward, something remarkable began to happen. The movie started gaining popularity through word-of-mouth publicity and some wonderfully unconventional marketing efforts. On eight Bade Mangalvars, the team distributed bandars to create awareness about the film. They are now encouraging the younger generation, especially Gen Z, to take their elders along to watch it, presenting it as a film that can be enjoyed by the whole family.
While scrolling through YouTube, I came across a scene from the movie that I had never expected would affect me so deeply. In the scene, Babaji and one of his devotees are thrown out of a train by a ticket checker on a British passenger request traveling in the first class compartment during the days of British rule in India. There was no anger on Babaji's face. No argument. No protest. He simply went and sat beneath a tree, quietly singing and chanting bhajans. Something extraordinary happens—the train refuses to move even though the engine is functioning perfectly. Eventually, the station master, the ticket checker, and the Britisher's family realize what has happened. Babaji then calmly shows that he had his ticket with him all along. The Britisher begins to understand his mistake and feels deep remorse. A sudden urge to seek forgiveness arises in the officer.
And something happened inside me too.
As I watched him asking Babaji for forgiveness, I found myself silently saying, “Babaji, please forgive me too.” Before I knew what was happening, I had fallen emotionally at his feet and tears began to flow from my eyes. They were not tears of sadness. They felt like tears of forgiveness—as though something deep within me had been waiting to surrender, to apologize, and to be forgiven. The acting appeared so real to me that I completely forgot I was watching a film. I was no longer sitting before a screen. I felt as though I had entered the scene itself, flowing with its emotions and slowly merging into an ocean of devotion for Babaji. For those few moments, cinema disappeared and bhakti took its place.
Neem Karoli Babaji's teachings are wonderfully simple: love everyone, serve everyone, remember God. There is nothing complicated in these words, yet perhaps the whole spiritual path is hidden within them. Love removes the walls between us, service turns devotion into action, and remembrance keeps the heart connected to the Divine. Babaji's life itself seems to tell us that spirituality need not always be loud or complicated. Sometimes it is simply remembering God while living an ordinary life, serving another being, and keeping love alive in the heart.
What touched me even more was the effort the film team seems to have made to create a sattvic atmosphere around the making of the movie. I was deeply moved to learn that they tried to maintain an environment where people did not speak harshly or abuse one another, vegetarian food was followed on the sets, and alcohol was not permitted. Before beginning the shoot, the team chanted the Hanuman Chalisa, and whenever they encountered an unexpected difficulty, they returned to chanting. Shri Neem Karoli Babaji said that every line of the Hanuman Chalisa is a Mahamantra. Whether one calls it faith, devotion, discipline, or simply positive intention, there is something beautiful about beginning creative work by remembering the Divine. It makes the entire endeavour feel like an offering.
The success of Hanuman Ansh, therefore, is not merely about one memorable scene. Behind the film appears to be a team that has put tremendous effort into creating something they believe in. And perhaps the most beautiful kind of success is when a work of art does more than entertain—it makes someone pause, remember God, shed a tear, or feel the urge to become a little kinder.
Perhaps that is why the film carries a different kind of energy. It does not seem to be merely an attempt to tell the story of a saint; it feels like an attempt to approach a saint with reverence. And when something is created with devotion, perhaps the devotion itself reaches the audience.
In an age when our screens are increasingly filled with biopics about dons, scammers, criminals and glamorous celebrities, a film about a saint feels like a soothing breeze. We certainly need entertainment, but perhaps we also need stories that leave something behind in the heart after the screen goes dark. Before this, I had watched only two films based on the lives of great saints that left a lasting impression on me—one on Adi Shankaracharya and another on Sri Ramakrishna Paramahamsa. India is the land of saints, sages and mystics. Why shouldn't the lives of these extraordinary souls be brought to the screen more often? Their stories contain drama, sacrifice, mystery, compassion, courage, transformation and, above all, the possibility of awakening something within us.
Neem Karoli Baba's path was never about complicated philosophy. It was about love, service and remembrance. His life reminds us that the Divine can be approached through the simplest acts when they are performed with a sincere heart. “The best form in which to worship God is every form.” is not merely a beautiful spiritual message; it is almost a complete way of living.
I have not watched a movie in the past six years. My days are already filled with prayers, chanting, sadhana and self-study, and my routine leaves very little room for anything else. So now I find myself smiling at my own question: Will I actually find time to go to a theatre and watch this movie?
After all, if a few minutes of a scene on a YouTube screen could bring tears to my eyes and make me feel as though I had fallen at the feet of a saint, who knows what might happen when I sit in a theatre and watch his entire story unfold?
Perhaps I will laugh. Perhaps I will cry again. Perhaps I will come home carrying nothing but the echo of Hanuman Chalisa in my heart. As Neem Karoli Babaji has emphasized on the impermanent nature of everything except the love of God.
Or perhaps, in the darkness of a theatre, while watching the life of Babaji on the screen, I may once again feel that mysterious presence whispering within: Cleanse the mirror of your heart, and you will see God. And perhaps that alone would make the journey to the theatre worthwhile.
If you ever watch this film, don't be surprised if you walk out of the theatre with something you didn't carry inside. Maybe it will be a tear. Maybe a prayer. Maybe a smile. Or perhaps, like me, you may suddenly feel goosebumps running through your entire body and wonder, with a trembling heart—
“Was that really just a movie… or did Babaji come to meet me?”
Pic : AI Generated





